The self-titled debut from German power trio, “Rats On Radar,” belies its nation of origin by putting American ex-patriot, Steven Chamberlain, up in front. Fans of Steven’s previous projects (Torches To Rome, Ned Kelly, The Yellow Press, etc.) will enjoy this set, as will anyone who appreciates the heavier grooves of Hot Snakes, Shellac, or even The Jesus Lizard.
Belknap was an El Paso post-rock trio from the early 00′s that leaned just as hard on Tortoise as they did on Mike Watt and No Means No. The band, comprised of bassist Gregg Sosa (Universal Recovered, Siva, Attaks, Sleepercar), bassist Matt Miller (Sparta), and drummer Matt Schmitz (Sleepercar, Fragile Gang), played countless well-received shows during their existence, but the six songs comprising “Radio Ready” are all that remain of their recorded output.
After the breakup of Lovetron, and the release of two instrumental hip-hop EP’s under the moniker of Behold the Profit (then Thieves), Greg Reynaud began hashing out rudimentary recordings as “Midway In Wake” with nothing but a guitar, voice, and the odd household item. “We Will Remain Sedate” represents this transformation into bedroom troubadour.
Behold The Profit’s eponymous 2012 follow-up to 2004’s “You Hold The World Like A Gun” debuted in the CMJ Top 200, and stayed in heavy rotation for months following its release. A couple new tunes were debuted on this release, but it was mostly stereo files that had been rescued from a computer crash that took full-length follow-up down with it.
Greg Reynaud (Behold The Profit, Midway In Wake, Lovetron) and Will Watts began their trans-continental musical collaboration as Art of Ballistics in 2006 during a rare time when they were both shared a roof. Bits and pieces from their first sessions together were combed over and sent back and forth across the Pacific until they were deemed finished and presented as “Broken Mornings”.
Originally released, under the guise of Thieves, “You Hold The World Like A Gun” is the culmination of Greg Reynaud’s multi-instrumental abilities and MIDI prowess. Combines synths, samplers, guitar, bass, and live drums into eerie, hip-hop instrumental material that is akin to Prefuse 73’s early work. Lowatt’s first true release, and the last to be pressed onto disk.